However, if you have a SmallRig video cage for an X-T2 or X-T3, the extra few millimetres means the X-4 won't fit. It’s a couple of millimetres wider and a few millimetres thicker, but this doesn’t hamper the handling at all – if anything, the extra size makes the X-T4 that little bit ‘grippier’ and gives the controls more room to breathe. The X-T4 is a little bigger than the X-T3, but not by much. The Fujifilm X-T4 is only slightly larger than its predecessor, the X-T3, and the optional new VG-XT4 battery grip triples its battery life and fits it like a glove. We would say it's a more expensive but better way to design a camera's controls. It’s not old fashioned for the sake of it. You don’t need a mode dial, and this leaves the twin control dials available for other functions.īest of all, this control layout really encourages you to think properly about exposure control and the camera settings. This design means the camera settings are always visible and can be changed even without switching the camera on. Each of these controls has an ‘A’ setting, so you can quickly swap between full manual control, aperture priority, shutter priority, program AE and auto ISO. There’s a shutter speed dial on the top and a physical ISO dial and most (though not quite all) Fujifilm lenses have manual aperture rings. Where other cameras use mode dials, Fujifilm’s exposure controls are strictly old school. It’s a paradox of modern camera design that it takes a mirrorless camera like this one to truly replicate the handling of a classic 35mm film SLR – digital SLRs are just too bulky. The Fujifilm X-T4 has the same classic rectangular design and external exposure controls of previous Fujifilm X-series cameras. (Image credit: Rod Lawton) Build and handling The Fujifilm X-T4 looks and handles like a traditional 35mm SLR, complete with external shutter speed, ISO and aperture dials. The new shutter also has a much longer life – 300,000 actuations compared to 150,000 on the X-T3. You can use the electronic shutter at up to 30fps in the camera’s 1.25x crop mode, but the mechanical shutter is better suited to fast-moving subjects. Second, a new shutter unit offers a much quieter action and a higher continuous shooting speed of 15fps, compared to 11fps on the X-T3. Fujifilm first used this on its bigger and heavier X-H1 model, but the IBIS unit in the X-T4 is smaller, lighter and more efficient – and Fujifilm claims up to 6.5 stops of shake compensation even with unstabilised Fujinon prime lenses. The things that are new are mainly physical, but at least as important as megapixels and autofocus points.įirst, the X-T4 now has in-body image stabilization. The video specifications are largely unchanged too, but the X-T3’s 60p 4K video and 10-bit internal recording was so far ahead of its time – and still is – that the X-T4’s video capture is still very advanced for this market. The X-T4 uses the same 26.1-megapixel X-Trans sensor as the X-T3, with the same X Processor 4 image processing and the same hybrid phase detection/contrast AF system. We’ll begin with the things that are the same. The Fujifilm X-T3 had so many advanced features it was hard to know where to start… and the X-T4 makes this harder still. The vari-angle screen is another big step forward, though it's not the 3.5-inch 16:9 screen seen on the X-A7 and X-T200.
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